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CinemaCon delegates, donning their 3D glasses, gave a wildly enthusiastic welcome to their return to Pandora with a primary take a look at the beautiful teaser trailer for James Cameron’s newly titled sequel Avatar: The Approach of Water, Wednesday throughout Disney’s slate presentation in Caesars Palace’s Colosseum.
“We’d like to verify [audiences] have an expertise they will’t get wherever else, and that must be solely in theaters,” stated producer Jon Landau in introducing the teaser trailer, which might be launched subsequent week, solely in theaters, forward of Disney/Marvel’s Physician Unusual and the Multiverse of Insanity. Landau moreover introduced plans to re-release the unique Avatar on Sept. 23 in theaters, with restored image and sound.
Landau reported that every of the 4 sequels — the primary, The Approach of Water, is scheduled for a Dec. 16 launch — will heart on returning Jake Sully, performed by Sam Worthington, and Na’vi Neytiri, performed by Zoe Saldaña, and their household, and so they lengths they go to maintain one another protected; every is a stand-alone movie that “collectively are a fair higher linked epic saga.”
In a narrative set greater than a decade after the occasions of the primary movie, the dazzling footage within the teaser trailer focuses on Jake and Neytiri and consists of attractive photographs of Pandora’s vivid blue water — each above and under the floor; Toruk, the flying creatures launched within the first movie; and new whale-like creatures.
Returning characters additionally embrace Sigourney Weaver as Dr. Grace Augustine and Stephen Lang as Colonel Miles Quaritch. The movie additionally options some big-name newcomers together with Vin Diesel and Cameron’s Titanic star Kate Winslet. Behind-the-scenes expertise consists of director of pictures Russell Carpenter, Cameron’s Oscar-winning Titanic DP. Avatar’s visible results are again at Weta FX in New Zealand, once more led by senior VFX supervisor and four-time Oscar winner Joe Letteri.
Launched in 2009, Cameron’s Avatar shortly turned the top-grossing movie of all time on the worldwide field workplace, with greater than $2.8 billion. It was additionally credited for ushering within the digital 3D period and introducing new manufacturing instruments and strategies in areas similar to efficiency seize and digital manufacturing. Its sequel is likely one of the extra anticipated movies of the previous decade.
“We got down to push the boundaries to what cinema can do,” stated Cameron in a video message from New Zealand, the place he’s making the film. He reminded exhibitors that they’re “companions,” including, “Jon and I are right here with you. We are able to do that.”
Because it has lately, CinemaCon sponsor Dolby has outfitted the Colosseum — CinemaCon’s predominant venue — with Dolby Atmos immersive sound and Dolby Imaginative and prescient, which means they put in the corporate’s premium 4K, excessive dynamic vary, excessive body charge and 3D succesful laser-based projection system. This enabled the Avatar 2 filmmakers to placed on fairly a present.
Cameron, Landau and their Lightstorm Leisure, together with twentieth Century and Disney, is predicted to supply Avatar 2 in all kinds of codecs to help the vary of theater installations, together with using 3D, 4K and a excessive body charge of 48 frames per second.
On Tuesday at CinemaCon, John Fithian, president and CEO of the Nationwide Affiliation of Theatre House owners, famous that Avatar 2 can have extra variations than any film “within the historical past of flicks” when it arrives in theaters: “We’re speaking about excessive decision, excessive body charges, 3D, Imax, PLF, totally different sound programs and in 160 totally different languages.”
“He’s working very intently with our members world wide to point out his film in the very best means,” Fithian stated. “Jim is uniquely pushed. He’s good. There could also be solely a few hundred screens in [some of the formats] however he desires [Avatar 2] on these screens. It’s time to verify your mild ranges are appropriate and every little thing in regards to the image is appropriate. We’re enthusiastic about it.”
Earlier than the discharge of 2009’s Avatar, Cameron created greater than 100 variations of deliverables in varied mild ranges, 2D and 3D, resolutions and sound programs. It was essentially the most formidable digital launch at the moment.
Cameron beforehand used CinemaCon as a platform to debate the potential of excessive body charges. The filmmaker gave a presentation at CinemaCon 2011 with a comparability of 3D content material — a medieval dinner and motion scene — projected at 24 fps, 48 fps and 60 fps. Because the clips performed, Cameron shared his observations, together with some distracting strobing that happens in 24 fps (which has been blamed for why some viewers get complications when viewing 3D) and pointed to a smoother increased body charge picture.
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